Eyre
A Cubitts bestseller with oval lines and workshop-minded restraint.
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Story & heritage
Cubitts lists Eyre in its official bestselling glasses edit, the brand’s “people’s choice” selection of frames. The product page describes it as a oval frame; evoking the archetypal spectacles of the early 20th century, Eyre embodies quiet erudition. A true round silhouette paired with a traditional keyhole bridge and custom end to end joints speaks to the intellectual heritage of optical design.
The frame sits within Cubitts’ London eyewear vocabulary: named, fitted and sold as a precise optical object rather than a seasonal logo piece. That makes it useful as an icon here not because it is loud, but because it shows the house code — familiar shapes, careful proportions, and repairable construction.
Materials & craft
Cubitts states that every frame is handcrafted in a Cubitts workshop from carefully chosen components and fitted with ZEISS lenses as standard. The brand’s acetate frames use custom Cubitts pins drilled through the acetate, OBE screws with miniature silicone bands, OBE charniere hinges with Teflon-coated screws, and an inlaid inner-temple logo rather than external adornment.
The official product details cite premium Mazzucchelli cellulose acetate, ZEISS ClearView lenses with DuraVision coatings and UV protection, an aluminium protective case, refillable lens cleaner, and a two-year warranty. Cubitts also says each frame goes through fifty crafted stages over six weeks.
How to choose & style
Choose Eyre when you want the face to read as designed but not decorated. The oval outline works best when the rest of the look stays quiet: knitwear, tailoring, good cotton shirts, and colours that let the acetate do the small amount of talking.
For a first pair, start with the most neutral acetate in the size that keeps the bridge settled and the temples level. Once the fit is right, Cubitts’ colour range makes the same shape easy to push warmer, darker, clearer, or more architectural without changing your whole silhouette.
